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Personal Story
by Gabriella West, San Francisco, CA
That Lonely, Sinking Feeling

I had been in San Francisco for five years. It was April of 1993, I was 25, and I was mildly drunk at the end of a long and not very eventful party. I had drifted over to my landlady, a family friend who'd brought me to the party, and saw her chatting to a young couple.

I noticed Hannah first. My inhibitions relaxed, I remember staring at her long straight blonde hair and cornflower blue eyes and feeling, quite simply, a wave of desire wash over me. I asked her where she was from.

"Michigan," she replied. This puzzled me, because her boyfriend (I did not know yet they were married) spoke with a foreign accent. He was from Prague, I gathered, and they had just arrived in San Francisco after spending six months at her parents' place in rural Michigan.

Milos was a large, sturdy young man with a goatee, slightly tinted glasses, short-cropped hair, an intelligent, somewhat earnest manner... As he spoke about the war currently raging in Bosnia, for there were many Eastern Europeans at the party, I found myself observing him closely. This was unusual on two counts: interest in straight guys was pretty rare for me, and what he was saying about the Serbs not being the villains the West thought they were, that there were two sides to every story, was quite problematic. But I was struck by his intelligence, his confidence and fluency in a foreign language. In fact, they both piqued my interest in a way I didn't fully understand.

"They're so nice!" I babbled to my landlady, as they were leaving, and then felt mortified because Milos turned back towards us for a moment and I thought he’d heard me. I had not expected to meet anyone at the party, least of all a straight couple. I was shy and defensive, not used to making friends easily, and definitely not used to gravitating towards couples, around whom I usually felt uncomfortably "different." But they hadn't intimidated me. They seemed open, somehow.

They had rented a studio at the edge of the Tenderloin, a seamy part of the city, just where it begins to slope up towards Nob Hill. My landlady and I went back to their place for tea one day, and I remember looking around in fascination at the many books and pictures that filled the room, giving it a quirky, charming atmosphere. They told us more about themselves. Milos was an artist; he drew graphic, rather sinister comic strips and was interested in doing mosaics. Hannah wanted to be a midwife. But neither of them had very pressing ambitions, they were just glad to be out of the Midwest and back in a cosmopolitan city, for it seemed like their happiest times together had been in London, where they’d met.

I felt comfortable with them immediately. It was as if they were no longer strangers. Even then I had an urge to get closer. But my landlady got up to leave, and I remember looking at her pleadingly, not wanting to pull myself away from these people yet.

"Gaby doesn't want to go," Milos said. He glanced at me kindly. He understands me, I thought with a thrill of pleasure, instead of embarrassment. But did he understand everything? I was not sure my motives were very pure, right from the beginning, yet I sensed from them both in those initial months a willingness to overlook the ambiguities of the situation.

We began to meet frequently. I told them a little about myself, about growing up in Ireland, that I wrote. But our common interests were more immediately apparent: film, books, music, nature. We all shared a similar sense of humor and cynicism, a taste for self-deprecation and understatement; we were also stuck in boring administrative jobs that demanded little of our intelligence and paid badly. Hannah seemed happy to have me around too, in those early months, for they were both very conscious of being new in the city and having no friends or connections. She seemed grateful for my company, which amazed me. It all felt too good to be true.

Hannah and I were always a bit formal with each other, though. Once she sat close beside me in their apartment and said sweetly, “I like your hair.” My glossy dark hair was thicker than hers, yet to me she always seemed very attractive. “I like yours too,” I said awkwardly. She shrugged, making a face. She was always down on her appearance, and seemed to feel prematurely old in some ways. I got the feeling sometimes that she did not enjoy being married; at 25 she acted as if she was tied down, laden with responsibility. I felt bad for her, yet I also thought she was lucky. She had a loving husband. She had Milos.

Spring passed into summer. When I began dating a woman, my first serious involvement with anyone, they faded into the background a bit. After a few months, though, the once-promising relationship was becoming very unhappy. Because my lover was in a relationship with a man that she had decided not to end, and only allotted one day of the weekend to me, I still had lots of time, and little inclination to spend it by myself, brooding. I would usually spend Saturdays with Milos and Hannah; we would drive out into the countryside with a picnic, we would hike and talk and drink wine. One day, as we were driving somewhere, Milos said apropos of nothing, as he sometimes did, "so you're attracted to women, but you also have some interest in men. That seems good..." I smiled, warmed by his approval.

Milos began calling me every day at work. I worked for a Jesuit University; he worked at Berlitz, the translation service. We had plenty of time to kill during the day; our unrestrained conversations were addictive and exciting. He managed to be kind, flattering, tactful, yet honest and real and very much himself. His interest in non-stereotypically "straight male" things like gay film and alternative sexuality intrigued me. He was a wonderful, supportive friend and I liked myself when I was around him.

The months passed and to my delight all three of us began to smoke pot together. Hannah usually only took a little; I noticed she never drank as much as he and I did either. The first time we shared a pipe, we were watching a video of "Pandora's Box," the 1920's silent film where a childlike and appealing Louise Brooks lures everybody into committing desperate acts while remaining strangely innocent herself. I felt very relaxed, very dreamy. I remember lying on their couch drowsily imagining us all touching, how easy that would be for me ... yet how impossible, how taboo it all was. Suddenly Milos, who was sitting on the floor, put his arm up on the couch so his wrist touched mine. I sensed he had guessed what was going through my head, picked it up somehow, and was silently telling me, "it's all right. Take this for now." After a moment I slid mine away.

My increasing desire for his attention was mixed with my ever-present guilt, my denial of the situation, my eagerness to take what he offered and not demand more... I wanted the friendship to last. I didn't want to be in love.

Love was there between us, though. It was in what we said, in what we didn't say. It was in our body language, the way he would stroke his chin, look at me for long moments, his eyes big and vulnerable behind his glasses, laugh unexpectedly at something I'd said. I bloomed around him too, laughing easily, animated, teasing and flirting with an assurance I hadn't known I possessed. He gave me a sense of security in my own attractiveness, and a safe place where I could bring my troubles. He wanted me to be happy, and that knowledge meant the world to me. It was summer, we had known each other for over a year, I had broken things off with my girlfriend, we were spending a lot of time alone together, and I could sense my loyalty to Hannah waning. Perhaps I could sense his loyalty to her waning.

I'd been attracted to men before, but had never had a close male friend. It was our closeness, I thought, that made me long for sexual intimacy, not his gender... He had taken over my dreams and fantasies, and he seemed to be making them better, healthier, and in the case of my fantasies, hotter. He often talked about masturbation, but I never dared to ask, "do you think of me while you...?" I knew somehow that he did.

In my dreams he was a kind, loving, brotherly figure. He would hold me. Just letting myself rest in his embrace was a blissful feeling, and I would wake up happy, yet slightly panicked. At first I hardly dared to admit to the hopes and longings that these dreams evoked in me. What about reality? What about the fact that I was friends with them both?

I began to see myself as a Trojan horse, creeping into the center of their lives with a deceptive covering, slowly revealing my true agenda as time went on. I worried that they viewed me that way too. I found myself drunkenly confronting Milos the best I could one early fall afternoon in 1994.

"Doesn't it bother you, that I'm single and you're a couple?" I blurted out.

"I really don't think about it that much," he said with eyes averted. He seemed very tense. I didn't know what to say. The shame of asking the question and being stonewalled was enormous. Yet what could he have said? "Yes, we talk about it..."? I was sure they had. I was even convinced that they had already fought over me.

Months later, I tried again.

I had met a woman who seemed nice, stable, very different from my ex. Milos had encouraged me to pursue a relationship with her. I was getting less certain. I knew her good qualities, but I also saw the one crucial thing that was missing: the feeling I had when I sat near Milos and he said something affectionate to me, and I melted.

I called him from an old wooden phone booth in a deserted corridor at work. It was early summer of 1995. I told him I didn't know what to do about my friend, that I just didn't feel any passion for her.

"That will come in time."

"What if it doesn't?"

"Look," he said impatiently, "nobody's special. You just have to find someone who likes you and work at it. You have this attitude that I'm afraid is going to get you in trouble sooner or later."

It already has, I thought.

"But what about you?" I persisted. "Haven't you ever looked around?"

He began to stammer. I had really caught him off-guard. I knew he hated the conversation, yet felt a dreadful compulsion to continue it, no matter how painful the truth might be. Still, I couldn't be completely direct and talk explicitly about him and me; those words just wouldn't come.

He spoke hesitantly, trying not to hurt me, I suppose.

"Of course ... of course there have been people I've been interested in," he said. "But there always ends up being something wrong with them too, if you know them for long enough ... basically, the way I feel about it is that only someone supernatural could tempt me at this point."

There was a long, awful silence. Finally, I began to laugh nervously. I laughed for a while. Partly what I was laughing at was the hopelessness I was feeling, the sense of having a door slammed shut in my face.

I should have ended it then, for my own sake. I thought about it. A couple of days later, Milos called and invited me to see a movie with them. I was dreading seeing him face to face. I remember walking nervously down the corridor to their apartment, feeling as if I had committed a crime. I was right to be apprehensive. When I came in, Hannah barely looked at me. I realize now that he must have told her, but at that moment I could not bear to analyze her hostility. She was sitting down and eating some cherries. I sat down near her and in my shaken state I began taking cherries off her plate and eating them without asking. I wouldn't have been surprised if she had thrown down the plate and punched me in the face, but I concentrated on Milos. He was agitated too. When our eyes met I held his gaze for a long time. I looked at him with desire. He seemed relieved. We talked to each other giddily while Hannah sat silent and fuming. It was clear from the way I felt that evening that his rejection served only to increase the power he had over me.

On New Year's Eve of the previous year, we had all taken Ecstasy and gone to a rave. Surrounded by teenagers, we'd huddled together, Milos in a chair, Hannah in his lap, me on the floor with my head resting on her leg. Every now and then she would bend down and touch her head to mine. The acceptance and the love between us had found its fullest expression then. It was blissful; I never wanted it to end. But Milos was the one who suggested we move on to the next room, the next spectacle

Later, we all stood in line for an entertainment ride. As the big wheel moved lazily above us, I rested my elbow on his shoulder. He seemed embarrassed, but I did not take my arm away this time. "Have you never been friends with a gay woman before?" I remember asking him. He appeared to find the question odd. It was odd, because I did not feel "gay" around him now, I felt like a woman, a woman with needs and desires that were focused only on him.

Although Milos didn’t appear to hold a grudge against me for our disturbing phone conversation, it was becoming clear that Hannah was no longer the affectionate, trusting girl who had touched her head to mine during the rave. The movie we ended up seeing that night was “Burnt By the Sun,” a bleak Russian film about the life of a doomed general under Stalin. As we walked silently down Fillmore Street in the chilly wind, the sense of things being wrong between us continued. The three of us were not in sync now, not like before. I hoped it would be a phase, but as time went on I realized with despair that it was permanent.

Things were slipping out of control. The old ease we'd felt together was gone. Milos never spent time with me alone. Hannah was consistently angry or moody when I was around. He seemed to be trying to appease us both, manage us both. It couldn't work. I was amazed he tried. It was hard to understand why he didn't drop me. He was keeping me hanging, but for what?

We still hung out on the weekend. On one of our car trips that summer he brought along an old bluegrass version of "House of the Rising Sun." I listened to the words, really hearing them for the first time:

I've got one foot on the platform, the other on the train

I'm going back to New Orleans

To wear that ball and chain

The image of the platform and the train seemed so crazily right. I was in between; I was in a place where I ought not to be. I was giving my love and attention to a married man who would never leave his wife, who would never even be sexual with me. I knew this, yet remained entranced, hooked on the moments of euphoria and pleasure that I felt with him. No one had ever paid me this much attention, or spent this kind of time with me. All those hours of time we spent together had forged a powerful bond that I could not bear to let go. It felt like he cared. I knew he cared.

Early on we’d recognized and hooked into each other’s vulnerabilities in a strange way. My father had left when I was five. His mother had died when he was 17. We had both been solitary children; he was an only child, I’d been one till I was nine. We’d pored over books and music as depressed adolescents. He said once that his existence had been “monkish,” and that he felt in his early 20s as if he was from another planet. I had felt something like that too – always human, but deeply separate from the crowd, as if some basic connection would always be denied me. Now I had it, and I was supposed to let it go. And yet keeping up this friendship was increasingly a burden, a huge, guilty burden that seemed to be crushing me.

Once he called me at home, and in the midst of the conversation said something idle about the virtues of friendship. "Friendship is...." he began.

"Like a ball and chain, sometimes," I retorted.

"Are you referring to anything in particular?" he said nervously.

"No, just being cryptic," I muttered, backing off once again. Of course I was referring to us, and of course he knew it. But neither of us really wanted to join the dots, to fill in the outlines of the blurry picture we were immersed in drawing together. I felt that I did own a part of him. I know he felt possessive of me too. Letting go was so hard. The fact that I had to be the one to do it was cruel, that I finally uttered the words, "I can't do this anymore," and he responded, "Well, do whatever you need to do." He didn't fight for me in the end. But he put his marriage on the line for years.

Looking back, I’m not sorry that we met; I can’t imagine those years being filled in with good relationships, happy experiences that I could have had if I hadn’t known Milos and Hannah. It was meant to be the way it was, and after all this time the richness of it lingers with me.

 

Gabriella West is the author of the historical novel 'Time of Grace'
(Wolfhound, 2002).

Her work also appears in 'Best Women's Erotica 2004'.


She lives in San Francisco and is working on another book.

 
 
 
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